Jean-Marie Straub and Danièle Huillet's writings, from 1954 onward.

A sociological approach to new practices in public art commissioning.

Facsimile edition of the artist book “L'Asparagus” from 1963. Book includes the poem “L'Asparagus” by Francis Ponge and 8 lithographs by Jean Fautrier.

Three films about Hucleux.

First major monograph in French, fully illustrated, devoted to the key figure of Joseph Beuys, revealing the aesthetic ambition and political issues through a genealogy that retraces a whole part of the XXth century.

An interview with Jean-Christophe Ammann.

An overview of contemporary architecture in the French Riviera from 1945 to the present day (a journey through 59 emblematic constructions presented by an architect and historian and an architecture critic).

First monograph (video installations, mechanical, electronic, light and sound devices, living or naturalized animals, sculptures, performances, photographs and drawings...), with two essays and a conversation with the artist.

A text written between 1984 and 1987, with no equivalent in French literature.

Protestation devant les libertaires du présent et du futur sur les capitulations de 1980 ("A protest aimed at the libertarians of the present and the future, about the surrenders of 1980") was published in 1981. It was only signed with the word Incontrôlé ("Uncontrolled"), didn't bear the name of any publisher, and was printed on stolen paper.

Four treatises by Jean-Michel Espitallier.

Collection of fictitious transcripts of radio speeches by experts on subjects such as art in life, the scarcity of water, cigarettes, or neighborhood relations. Among the 21 speeches, only one is authentic. A humoristic take on the notion of expert, and its propagandist deviation.

A musical, pictorial and cinematographic journey, as many sensitive interpretations of the domain of Certes in Gironde. Through the prism of Ernest Valeton de Boissière, inventor of the place and transmitter of the social utopias of the 19th century.

Novel.

This experimental prose composed with large colored typographic compositions is a reflection on the act of writing: a deep metaphysical and melancholic text in which we meet Apollinaire, Ezra Pound, and Marinetti.

New musical practices, modes of production and reception of culture, since the emergence of electronic music in the 1990s.

A manifesto in which Jean-Michel Othoniel explains his use of glass material in his work.

This handbook traces ten years of activity of Glitch and IKHÉA©SERVICES—two collaborative projects initiated by artist Jean-Baptiste Farkas.

A journey through pivotal moments of the history of experimental cinema.

The collection of texts on contemporary art by Jean-Christophe Ammann.

Criminal news item as current version of the ready-made: relations between the history of avant-gardes and the aesthetics of murder.

Inspired by a water tower conceived by architect Thierry Van de Wyngaert, philosopher Jean-Paul Curnier shares a text on his teenage years in South-East France.

An erotic history of art, from the figure of Pygmalion.

A manifesto in which Jean-Michel Othoniel explains his use of glass material in his work, accompanied by a mirror in obsidian, an original and unique signed artwork.

First monograph on the French artist's enigmatic “glam” oeuvre: a rock opera / curio cabinet juxtaposing his works with 45 historic and contemporary artists and naturalia.

Novel.

A conversation between the artist and the architect.

Digital technologies and interactivity in the artistic field, in an historic and experimental perspective (new edition).

A tale of war bringing together soldiers' testimonies found on various websites—American news channels, websites on war, cellphone videos broadcasted on Youtube…

Publication gathering a series of early works from 1962 by French artist Jean-Luc Parant. These 176 hieroglyphs consist of 88 drawings to read, and 88 texts to look at.

This exhibition catalogue gathers together the visual works—collages, drawings and installations—of three major French experimental poets.

One drawing by Mrzyk & Moriceau a day (2009 calendar).

A film-maker and curator's reflection on moving image and its viewer.

All at once an original creation, as well as a database of the whole work of one of the pioneers of video art in Switzerland (DVD + DVD-ROM: 88 videos, 930 images, 57 texts).

Poetry and space for Marcel Broodthaers—a critical essay.

A photographic and pictorial conversation in which Didier Cry offers himself as a model to express its sufferings and his ultimate testimony during the last months of his life.

A musical project in collaboration with hospitalized teenagers as part of a “Culture and Handicap” program.

Images and associated texts on a same level for a strange universe evoking our audiovisual and virtual culture

Leporello in a box: a book documenting Jean-Charles Blais' œuvre and a 6,40 meters long work.

How can the events in which we are supposed to participate be translated into experience? How can we represent ourselves in a History that is being written in terms of the economy and the stock market? Along these questions, French author Jean-Charles Massera discusses the works of various artists (Vito Acconci, Stan Douglas, Felix Gonzalez-Torres, Pierre Huyghe, et al.) and film-makers (Jean-Luc Godard, Wong Kar-wai, Nanni Moretti, Pier Paolo Pasolini, et al.).

Jean Dupuy's anagrams in three volumes, with a selection of artworks.

Olivier Benoit (acousticized electric guitar) and Jean-Luc Guionnet (alto saxophone) present seven journeys, seven light touches, at times on the brink of silence.

Reference monograph.

The funny though serious inventions of the thinker, poet, prophet and annagrammarian.

A collection of entirely revised or previously unpublished texts.

Jean-Jacques Lebel's tribute to Venus.

A monument for both linquists and writers.

Costes works with rappers and Raï musicians: it's about the Algerian war, colonization, but also the colon in the anatomical sense of the term (as is often the case with Costes).

A 45rpm to be played in 33rpm, gathering three very different high-flying pieces, recorded by Jean-Marc Foussat.

A piece for string quartet, narrator and fixed sounds, guided by the texts of Edmond Jabès and Franz Kafka, in dialogue with those of Marc Feld and Michel Butel.